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In the history of art, only a handful of great artists have been able to articulate the nature of the creative process. Robert Motherwell was one such artist. Not only a seminal painter in the movement eventually referred to as abstract expressionism, he was also a primary theorist and spokesperson for the avant-garde art that developed mainly in New York City during the Second World War. Throughout the formative years of abstract expressionism, Motherwell's presence as artist, editor of a series of pioneering books on modern art, lecturer, and teacher was influential in both illuminating and shaping the development of what he termed "The Enterprise" of abstract art.
This book brings together a representative selection of Motherwell's writings about art, dating from 1941 to 1988. It contains more than sixteen essays, a number of pieces from exhibition catalogs, more than a dozen public lectures, and all the artist's vanguard editorial work. The last includes his introductions to several volumes of the pioneering series Documents of Modern Art, which he began directing and editing in 1944; his contribution to possibilities, the first magazine devoted to modern art and culture in the United States, and his work on Modern Artists in America, a book designed to bring balanced attention to modern art in the conservative political climate that prevailed in 1951. Excerpts from four interviews, a number of letters, and lectures, some never before published, bring the collection to within three years of the artist's death. A new chronology and an updated bibliography provide much new information.
In a New York Times tribute shortly after Motherwell's death, Hilton Kramer memorialized the artist as the "eloquent and articulate champion of the entire Abstract Expressionist movement, an archivist of the modernist movement as a whole" and expressed regret that Motherwell's "long-awaited" collected works had not yet appeared. Here at last is that definitive collection, nearly eighty pieces by the leading spokesperson for abstract expressionism.
- Sales Rank: #1767321 in Books
- Published on: 1993-01-14
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 10.31" h x 1.34" w x 7.25" l,
- Binding: Hardcover
- 384 pages
From Publishers Weekly
A chief spokesman for Abstract Expressionism in the 1950s and a voice of New York's artistic avant-garde in the following decades, Robert Motherwell (1915-1991) was an enormously articulate critic and theorist as well as a first-rate painter. This volume is a patchwork of his essays, lectures, interviews, book introductions, letters, epigrams and random jottings, dating from the years 1941 to 1988. Motherwell's verbal collages comprise an ongoing dialogue with the creative process. His writings illumine his formative relationship with Chilean surrealist Roberto Matta, his obsession with death and his friendships with Mark Rothko, David Smith and Joseph Cornell. Motherwell was acutely aware of the modern artist's isolation from society, and his theory of painting, which extolled free association as the artist's means of excavating his own psyche for universal archetypes, stemmed from that sense of apartness. This grab bag of ideas and impressions includes Motherwell's thoughts on Mondrian, Picasso, children's art, Kafka and Baudelaire. Terenzio is a former curator at the University of Connecticut's William Benton Museum of Art. Illustrated.
Copyright 1992 Reed Business Information, Inc.
From Library Journal
As an artist, educator, theorist, and editor, Motherwell (1915-91) was the leading exponent of the Abstract Expressionist art movement. Terenzio ( The Prints of Robert Motherwell , Hudson Hills, 1990), formerly with the William Benton Art Museum, provides clear introductory notes to the chronologically arranged selections of essays, lectures, letters, interviews, prefaces, and exhibition catalog pieces, which date from 1941 to 1988. Educated at Stanford and Harvard, Motherwell soon moved to New York, where emigre Surrealist artists profoundly influenced his modernist views. Included here are several of his editorial prefaces from the "Documents of Modern Art" series, one volume of which ( The Dada Painters and Poets , LJ 7/89. 2d ed.) is considered the finest anthology available on Dadaism. Motherwell is so wonderfully articulate, honest, and passionate that this collection should serve as the definitive source on Abstract Expressionism. Strongly recommended for all collections.
- Joan Levin, MLS, Chicago
Copyright 1992 Reed Business Information, Inc.
Review
"A book that everyone interested in modern painting will want to have." -- Hilton Kramer,New York Times Book Review
"More than any other artist since Vasari, I think, Robert Motherwell undertook to situate the art movement in which he participated in the larger structures of history. He played a triple role, as thinker, as maker and as intermediary, in the transformation of modernism that took place in New York in the 1940s and '50s." -- Arthur Danto, The New Republic
Most helpful customer reviews
0 of 0 people found the following review helpful.
Robert Motherwell American Artist
By Stephen Sotnick
Robert Mother is one of the most influential artists of the last century. A philospohy major at Standford and an Art minor. He studied philosophy at the Sorbonne in Paris. Many of the art journals of the time were in French. Motherwell interpreted what was being written. Hitler chased all of the artists out of Europe. They came to New York. Artists like Maxst Ernst, Salvidor Dali, Andre Breton, Mondrian, and Joseph Albers. Young American Artists were rubbing elbows with Europe's elite. Motherwell was the conduit. .
His writings are his letters and his lectures He talks about the early days of the Abstract Expressionists. It is a insight into what made America, especially New York the center of the Contemporary Art World.
Stephen J. Sotnick Senior Curator of The Ant Work Gallery of Contemporary Art 04/10/2014
1 of 1 people found the following review helpful.
Helps you understand modern art. Beautiful writing.
By The Thinker
I only recently learned about the author. He was both an amazing intellectual and a respected painter. I have been puzzled by most modern art, and I have wanted to know what the heck these artists mean to do and why anyone cares about abstract images with no apparent connection to ordinary experiences. I am still reading the first half of this book, but I am enjoying it immensely and already have gained helpful insights into modern artists' intentions.
0 of 0 people found the following review helpful.
Perfect! The book was like new
By Ed Steck
Perfect! The book was like new.
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