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Art and Visual Perception: A Psychology of the Creative Eye, by Rudolf Arnheim
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Since its publication fifty years ago, this work has established itself as a classic. It casts the visual process in psychological terms and describes the creative way one's eye organizes visual material according to specific psychological premises. In 1974 this book was revised and expanded, and since then it has continued to burnish Rudolf Arnheim's reputation as a groundbreaking theoretician in the fields of art and psychology.
- Sales Rank: #109586 in Books
- Published on: 2004-11-08
- Format: Deluxe Edition
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.40" w x 6.00" l, 1.56 pounds
- Binding: Paperback
- 518 pages
Review
"The clear, direct, flexible writing is powerfully reinforced by the numerous illustrations . . . not one of which is superfluous."--"Journal of Aesthetics and Art Criticism
From the Inside Flap
"In The Ego and the Id Freud argued that a cogent thought process, to say nothing of conscious intellectual work, could not exist amidst the unruliness of visual experience. Over the last half century in a sequence of landmark books, Rudolf Arnheim has not only shown us how wrong that is, he has parsed the grammar of form with uncanny acuity and taught us how to read it."—Jonathan Fineberg, author of Art since 1940: Strategies of Being
From the Back Cover
"In "The Ego and the Id "Freud argued that a cogent thought process, to say nothing of conscious intellectual work, could not exist amidst the unruliness of visual experience. Over the last half century in a sequence of landmark books, Rudolf Arnheim has not only shown us how wrong that is, he has parsed the grammar of form with uncanny acuity and taught us how to read it."--Jonathan Fineburg, author of "Art since 1940: Strategies of Being"
Most helpful customer reviews
8 of 8 people found the following review helpful.
conceptual guide to artistic composition--seminal work
By C. J. Clavadetscher
Arnheim's book on the creative eye has survived well over half a century, for a reason. This is a truly seminal work on "seeing" and composing artistic images. He deals primarily with painting. I am a photographer. This book means as much to the current photographer with digital camera as to the artist with easel canvas and brush. Fascinating reading illustrated with classic examples. Re-shapes the mind. I bought copies for all of my friends who are, like me, serious shooters.
15 of 15 people found the following review helpful.
Difficult, but essential
By Mike Grant
As an artist, I find this book a must read. It's difficult, but essential.
It was pivotal in opening my mind to a multifaceted way of looking at visual organization, composition, and development. I also gained a strong vocabulary for talking and thinking about paintings from any chosen era- an invaluable skill for anyone who falls in love with a particular painting but doesn't know why or how to explain it to others. In the way that The Painter's Secret Geometry: A Study of Composition in Art developed my appreciate for the classics, this book helped me understand Modern art.
5 of 5 people found the following review helpful.
The Best book on form perception
By T.Mokhtar
This book is a treasure for all artists, and architects.It is a good book with many illustrations and analysis. If You need to know how to deal with forms, shapes, and their parameters as a professional, this is the right book to buy. Sometimes I think that it is too late to read again about form,but Arnhiem's book is not only about form perception it is about life experience in how to read things in scientific and detailed approach.
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